One comment on “Flamenco, Eksplorasi Gerak yang Menggairahkan

  1. La Frague memang Flamenca. Total dan utuh. Flamenco tradisional maupun Evolution. Kalo kata eksplorasi gerak mungkin tidak begitu pas untuk penari-penari dari La Frague. Gerakan yang dilakukan muncul bukan hanya dan tidak selalu dari sebuah koreografi, tapi dari interpretasi si penari. Interprasi berdasarkan essensi dari tarian itu sendiri – Taranto, Soleares, Alegrias, termasuk Romeras maupun Caracoles dll, masing-masing punya “story”, punya warna, jiwa. Ditambah lyric dari lagu (kalo ada penyanyi – dan biasanya memang ada, walopun tarian-tarian tsb dibawakan juga dengan instrumental murni). Ekspreksi yang muncul waktu kita menari sangat berbeda dengan ekspresi waktu menari ballet klasik ato jazz. Harus saya tambahkan bahwa jazz mungkin yang terdekat dengan flamenco dalam hal ini.. It is the expression of the soul – duende – yang muncul. Not studied movements – though in certain dances like La Faruca, the movements play a major role in the execution of what we express through a certain style. As a solo dancer you have the liberty of expressing yourself in your own way, and that varies from performance to performance. Very often, certain movements of the body, the arms, the head happen because of the inner build-up prior to force a certain rythme into the melody. It is like in any dance style – one dances or one executes the steps / the choreography. It makes me happy to see that Flamenco finds the hearts of the Indonesian public.
    What I think was regrettable is that the management of GKJ had not provided a decent “floor” for flamenco dancing. 18 mili plywood does not do the job. Beside that, the amount of dust on that stage on that night was amazing. They could have cleaned the stage prior to the performance. I hope next time the GKJ will be on the same level as La Fargue.

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